This Guitar Trio recording in particular is fascinating, the document of a tour that Chatham undertook in which he enlisted different guitarists in each town. The guitarists are allowed to try different textures and sounds within the confines of the E chord. Guitar Trio basically involves X number of guitarists (I assume this was three originally) who play an E chord for a certain amount of time. Crimson Grail and especially Guitar Trio work in much the same way. Much like the noise experiments of My Bloody Valentine, the mind rejects the drone and imposes order and eventually one can hear a melody emerge from the chaos. Two Gongs has, well, two gongs playing off of each other for a little over an hour. Got it from him.Rex Garvin - 'Emulsified.' Brilliant 1963 rockabilly track that was covered by Yo La Tengo on their Fakebook album.Rhys Chatham - Two Gongs (1971), A Crimson Grail (For 400 Electric Guitars) (2007), Guitar Trio Is My Life! Minimalist downtown composer who was instrumental in the aesthetics of Band of Susans and Sonic Youth. All the covers - Peter, Paul, and Mary, the Grateful Dead, Springsteen, etc. Gary Davis wrote it and recorded it in 1960. This has the original version of 'Samson and Delilah' on it, I believe.Īlthough it is often listed as a traditional folk song, I believe the Rev. Gary Davis - Harlem Street Singer (1960). Good, but it sounds like a side project.Rev. The male members of Low make big rock with a different drummer. Gregory McIntosh of AllMusic described Buckner as "grizzly, conceptual, fragmented, brooding, and plaintive.Retribution Gospel Choir - Retribution Gospel Choir (2008). A beater of a vehicle with more miles than an odometer can count, Buckner is what he writes." Dents and Shells is the travelogue of such a road-worn songwriter. In a 3.5 star review comparing Buckner to Elliott Smith and Lou Reed, Darcie Stevens of the Austin Chronicle wrote, "Without elation or regret, Buckner speaks stories, explanations of missteps and wrong turns, contemplations of lost loves and past lives. While strongly rooted in classic folk, Buckner's songs are rendered pristinely strange by their smallness and smeariness- they're vast, dim topographies described by chords that are barely there, recondite realms of visions and visitations." Dents and Shells continues to explore Buckner's shadowy continent of song, a Symbolist mirror-world where bright glints of detail fleetingly flash, then submerge, cloaked in shifting fogs. In an 8/10 Pitchfork review, Brian Howe wrote, "Since that first album, Buckner has created increasingly more ephemeral, impressionistic gradations of tone and mood. Merge Records celebrated the album's fifteenth anniversary with a re-release on white vinyl in 2019. Dents and Shells was released in October 2004.
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